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Merzbow concert goers not appreciating the existential noise...

NTS Radio
Merzbow playing to an unappreciative audience in Korea, 1991
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1 week ago

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Merzbow's mellow ballads don't seem go down too well with this audience...

Not too different from the show Oren Ambarchi put on in Brisbane

You hum it, I'll play it mate

I love the decision to sit there with hands over ears instead of walking away.

Can anyone ever truly appreciate a Merzbow concert?! 😂 It's a bit like saying that you enjoy having your flesh grated off your body....

Not too different from the show Oren Ambarchi put on in Brisbane

Plenty of that from any construction site. This is what ear protection was made for.

Unfathomably awesome.

Same

i wonder what this audience would make of Seo Tae Ji 7 years in the future? or even more current Jambinai 잠비나이 .

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Choreographer and director Wayne McGregor redeveloped his Atomos work into a film experience, co-directed by Ravi Deepres and scored by us.

Watch on BBC iPlayer: https://bbc.in/2Uruujr

Choreographer and director Wayne McGregor redeveloped his 'Atomos' work into a film experience, co-directed by Ravi Deepres and scored by us.

Watch on BBC iPlayer: bbc.in/2Uruujr
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1 month ago

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Inge Manon Hindriks

Yes!!!

Only in UK 😢

Francis Ford Coppola selling tapes for Japanese television...

Museum of Portable Sound
Esteemed film director Francis Ford Coppola fondles a Fuji in a Japanese tv commercial (date unknown, presumed 1980s I mean come on)
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1 month ago

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Luís Gustavo ahaueeiiaasheiaahaieisjs

Is this where Sophia got the idea for lost in translation as her dad went off to do ads that made him a ton of money in Japan but didn’t dent his reputation too much at home? Maybe he fell in love too?

Gijs van Engelen Lost in translation gaat dus niet alleen over de relatie tussen Sofia en Spike. Haar vader zit er ook in

Marius Chwalek naaaaaa, kaufreiz?

Manuel

Barn Suermondt

Oh my!

Gerard Starling

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Final re-amp sesh completed, and off to Berlin to start the mix. The finish line is in sight from here...

Final re-amp sesh completed, and off to Berlin to start the mix. The finish line is in sight from here...And now a recap, final re-amping sesh in the bag, we are both en route to Berlin to start the final mixes with Franc. We either put a fork in this bird within the next fortnight or throw it in the bin. Sounds about right. Over & out from 2 marginally inspired white men & an Italian. Dustin O'Halloran ... See MoreSee Less

2 months ago

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Can’t wait!!!

Recording new AWVFTS in Saint John the Baptist Cathedral in Brussels these past few days...Image attachment

Recording new AWVFTS in Saint John the Baptist Cathedral in Brussels these past few days... ... See MoreSee Less

2 months ago

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I'm so excited 😄

Guylain Meykiechel

The most anticipated album of the year for me.

Should get some mean organ sounds in there.

When will it be out? Can’t wait!

can't wait - please tour for this one!! 🙂

Joshua Friis 😍

Looking forward to hearing the fruits of your labours 🙂

No way 😮 😮 can i come in for a listen? The acoustics must be amazing..

Beguinage!!

Amen

So glad to see you guys back and on & about. Good luck with your work, can't wait for this!

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Dustin OHalloran and adam bryanbaum wiltzie have taken some time out of AWVFTS to create the score for Invisible Cities - an immersive performance in collaboration with 59 Productions including theatre, dance, architectural design and visuals. The project is set to premiere at Manchester International Festival this July.

Tickets are on sale now: mif.co.uk

Dustin O'Halloran and adam bryanbaum wiltzie have taken some time out of AWVFTS to create the score for 'Invisible Cities' - an immersive performance in collaboration with 59 Productions including theatre, dance, architectural design and visuals. The project is set to premiere at Manchester International Festival this July.

Tickets are on sale now: mif.co.uk
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2 months ago

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The blurb at the Manchester site doesn't mention Italo Calvino, but it's obviously based on the book of the same name: mif.co.uk/whats-on/invisible-cities/

Frederic Jay

adam bryanbaum wiltzies contribution to an old Talk Talk book by James Marsh. 

“This memory is forever tattooed on my cerebellum. It was a week after my birthday, September 1988. I was on my way to go record-shopping at The Candyman record store in Santa Fe, New Mexico. I was flipping through the ‘new’ bin and came across a copy of ‘Spirit of Eden’ on vinyl. When I returned home I put it on, it was one of those few moments in life where you stare at the record player in complete bemusement. What is this music?

Hearing that three-song suite on the first side for the first time was, as I believe a wise man once uttered, “ like I was shot with a diamond bullet right through my forehead.” Although I can imagine the innumerable hordes would never see the connection, it was essentially an incoherent catalyst for the early Stars of the Lid rumblings, multiple suites connecting through one song that would go on forever. There is just a sullen atmosphere in those recordings that I have concluded, in one way or another, changed my life, or at least the way my ears perceive it.”

Spirit of Eden - https://spoti.fi/2XsO259Image attachmentImage attachment

adam bryanbaum wiltzie's contribution to an old Talk Talk book by James Marsh.

“This memory is forever tattooed on my cerebellum. It was a week after my birthday, September 1988. I was on my way to go record-shopping at The Candyman record store in Santa Fe, New Mexico. I was flipping through the ‘new’ bin and came across a copy of ‘Spirit of Eden’ on vinyl. When I returned home I put it on, it was one of those few moments in life where you stare at the record player in complete bemusement. What is this music?

Hearing that three-song suite on the first side for the first time was, as I believe a wise man once uttered, “ like I was shot with a diamond bullet right through my forehead.” Although I can imagine the innumerable hordes would never see the connection, it was essentially an incoherent catalyst for the early Stars of the Lid rumblings, multiple suites connecting through one song that would go on forever. There is just a sullen atmosphere in those recordings that I have concluded, in one way or another, changed my life, or at least the way my ears perceive it.”

'Spirit of Eden' - spoti.fi/2XsO259Dug up this old Talk Talk book I contributed some words to by James Marsh, the guy that made all their artworks.

“This memory is forever tattooed on my cerebellum. It was a week after my birthday, September 1988. I was on my way to go record-shopping at The Candyman record store in Santa Fe, New Mexico. I was flipping through the ‘new’ bin and came across a copy of ‘Spirit of Eden’ on vinyl. When I returned home I put it on, it was one of those few moments in life where you stare at the record player in complete bemusement. What is this music?

Hearing that three-song suite on the first side for the first time was, as I believe a wise man once uttered, “ like I was shot with a diamond bullet right through my forehead.” Although I can imagine the innumerable hordes would never see the connection, it was essentially an incoherent catalyst for the early Stars of the Lid rumblings, multiple suites connecting through one song that would go on forever. There is just a sullen atmosphere in those recordings that I have concluded, in one way or another, changed my life, or at least the way my ears perceive it.”

'Spirit of Eden' - spoti.fi/2XsO259
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3 months ago

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Has me weeping. Thank you for sharing 💔

Looks like a lovely edition. Not available anymore I guess...

Thank you, Mr Hollis. ... See MoreSee Less

3 months ago

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I've been listening to this one for ages. Never get enough of it. What a loss!

I remember when you turned me on to this album. It never gets old.

Cristiano

A really sad day.

Only listened to his solo album on Sunday wishing more music would one day be released. A real true musical genius

I've had Laughing Stock on repeat and don't see that changing any time soon.

<3

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